Not Kafka, but that book is mesmerizing, yet the photo above is moreso. The record is coming along (extremely stressfully), motifs galore, and probably too many "grand" parts for its own good, but at least I get to use my koto. The prelude and outro are finished, about 8 full songs completely finished, a handful of little interludes, and one last massive track I'm bringing back from the dead and need to finish rewriting, then I can move on to track order to figure out the concept outline of the record, get really drunk, and write some lyrics out on the lake at midnight. This record's a doozy, but I'll be damned if it doesn't get Austlune signed...and that's coming from someone with no self esteem. Just need to figure out how to make the motifs sound like recurring themes instead of recycling...how do the classical folks do it so well?
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